As he performs, a musician decides to add an LFO to a synth's filter cutoff knob, where no LFO existed before. It gets better: A sound is broken down into 256 individual bands, then each is tweaked one at a time in a unique way. Old hat, right? Now, imagine this: the same single output socket sprouting no less than eight different cables connecting eight different effects. Elsewhere, a MIDI cable links a MIDI input to a synthesizer, which is in turn connected to a mixer. More cables connect the effect to a mixer. Hey i know this is an old thread but i'm wondering if you can help me? I done everything that was in the tutorial so far but i'm stuck because for whatever reason i don't have Kontakt showing 8outs i just have the native instruments and underneath Massive.Is this a familiar picture? Cables lead from a microphone input into a small digital effect. So for examples Woodwinds can all go on Midi Channel 1, Brass can use 2-5, Percussion 6-9, Strings use 10-15 and Keyboards use 16.Īll instruments can then be routed to independent audio channels." In modern orchestra, an entire orchestra consists of Woodwinds (Flutes/Piccolo, Oboes, Clarinets/Bass Clarinet, Bassoons/Contrabasson), Brass (French Horns, Trumputs, Trombones/Bass Trombone/Tuba), Percussion, Strings (Harps, 1st Violins, 2nd Violins, Violas, Cellos, Double basses) and Keyboards. The best use of these are to put like instruments together on the same midi channel. Rewire only supports 16 midi channels and 64 stereo channels. This has many advantages such as, allowing you to break the 32-bit barrier if you use a 64-bit DAW, loading large templates is faster in Bidule then it is in your host, hosting VSTs or AUs in Bidule can sometimes be more efficient than your DAW and its easier to organize large templates with Bidule’s modular layout. When it comes to an orchestral templates, Bidule is used to host multiple instances of Kontakt. Bidule can even synchronize plugins with the sequencer’s tempo. You can host any arrangement or layering of virtual instruments in Bidule, and connect these to a ReWire-capable sequencer application. "Bidule can connect VST/AU plugins and Bidule groups to your favourite ReWire-capable sequencer. Here's what someone commented about using Bidule. I'm hoping Bidule will be able to help take some of the load off of Reaper by hosting multiple Ominispheres and Kontakts outside of Reaper. If I run two to three instances of Ominisphere with multiple Kontakts loaded, I notice a drop in performance in Reaper. I'm currently running Windows 7 64 bit with 4GB memory on a Pentium II. (see video links above) I prefer not to bounce tracks or freeze tracks, while i'm composing, due to to many vst's running in Reaper. What got my attention to try Bidule was seeing that it can host a lot of VSTs loaded and ready to play, without bogging down your DAW. Guess it depends on how much memory a PC or MAC has and it's processing power. Over loading the Kontakts directly into Reaper?Ĭertainly could just load multiple Kontakts into Reaper. Now for my naïve question: what are the advantages of using this approach Orchestral Film Scoring Template with Bidule and DP To find out the power of Bidule take a look at these great videos. * How to configure the Midi and Audio routing in Reaper * How to setup multiple audio outputs in Kontakt * How to route the midi and audio in Bidule * How to add multiple VST instrument to Bidule * How to use Reapers ReWire to communicate with Bidule This was a trial and error process to get this to work. If anyone has a better way to do this, please let me know. If you have the Plogue Bidule program, this guide will help get you started using it with Reaper. I put together this pdf document with instruction on how to setup a simple Orchestration template using Plogue Bidule, Kontakt and Reapers ReWire function.
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